2017-06-13

CUUC Music: Sun June 18


Jolkebuddha.com reports: "Johann Sebastian Bach wrote a great many musical compositions and had a large number of children. In between, he practiced on an old spinster which he kept up in the attic."

The father of twenty children and one of history’s greatest composers, J. S. Bach epitomizes the juncture between music and paternity. The Two and Three-Part Inventions were written by Bach as a gift to his ten-year-old son Wilhelm Friedemann as a guide to mastering keyboard techniques and a model of polyphonic composition. In honor of Fathers’ Day, a group of these perennially beloved teaching pieces opens the morning’s Prelude.

The CUUC Choir is on hand with a special valedictory offering for the final service of the “official” church year, along with anthems related to the monthly theme of Freedom and the eternal longing for peace. Tchaikovsky’s “June”, a seasonal offering written as part of a monthly commission for the St. Petersburg music journal Nouvelliste, rounds out Sunday morning’s music.

Read on for programming details.

Prelude: Adam Kent, piano
Two-Part Inventions Nos. 1, 4, 6, 8, 9 and 13
                                                            J. S. Bach

Introit: CUUC Choir, directed by Lisa N. Meyer and accompanied by Georgianna Pappas
And Wherever You Go
                                                            Douglas E. Wagner

Anthem:
Flying Free 
Don Besig

Offertory:
June: Barcarolle, Op. 37, No. 6
                                    Pyotr Ilyich Tchaikovsky

Anthem:
Let There Be Peace On Earth   
Sy Miller and Jill Jackson, arr. by Mark Hayes 

2017-06-08

Fasting

Practice of the Week
Fasting

Category: Occasional. These are practices suggested for "every once in a while." Some of them are responses to a particular need that may arise; others are simply enriching occasional enhancements to the spiritual life. All of them are worth a try at least once. And any of them might become a regular and central part of your spiritual practice.

adapted from Marta Morris Flanagan in Everyday Spiritual Practice, Ed. by Scott Alexander
"I want to fast to help me
slow down and connect with myself,
to be more conscious of my decision,
not only about food, but about all the ways
that I "stuff my feelings, my spirit.
I want to live more consciously."
--Matt Muise
I fast at least once a year, for three days at a time. I abstain from all solid food and limit myself to drinking fruit juices, herbal tea, and water. This juice fast prevents dehydration and provides many vital nutrients while still inviting me to abstain and feel that emptiness of body and openness of soul.

When I fast, I pay greater attention to life. I am more mindful. Some practice fasting as a time of repentance and self-sacrifice. For them, like other ascetic practices, fasting involves the denial or withholding of pleasure. But for me, fasting is not a form of suffering, because I do not find suffering in and of itself a useful spiritual discipline.

Instead, I fast to make more room for God. When I want to deepen or reawaken my sense of the Spirit, it is helpful to let go of something else. When I fast, I create more room for God in my life, sometimes simply by the large amount of time that is freed from thinking about, shopping for, and preparing food. My hunger during the fast also serves as a visceral reminder of my own deepest yearnings.

We are all hungry people. It is often difficult to be in touch with our spiritual hunger if we are satiated with food. Try to meditate on a full stomach! Often we stuff ourselves with food in a vain attempt to feed another kind of hunger that cannot be satisfied with food. Often we fill our hungers with food, with drink, with busyness, with distractions like television. Fasting is a time-honored spiritual discipline that awakens us to the deeper hungers within.

During a fast we give up anything that has become a habit that might harm the body during the fasting period: caffeine, nicotine, alcohol, sweeteners o all kinds, drugs, and medicines, as far as possible. Fasting is not appropriate for people who battle bulimia or anorexia or those with special health problems. But fasting for a short period of time is healthy for most others. It cleanses the body of toxins. Some medical doctors have advocated fasting for purely physical health reasons. I find that the first twenty-four hours are the hardes physically. I can feel tired and have headaches. But there is a sense of freedom that comes to me on the second day.

In the beginning of a fast many people are fascinated by the physical aspects of the experience. But more important is to monitor the attitude of your heart.

Fasting is spiritual discipline known to every world religion. The Jewish calendar includes several fast days, most prominently the Day of Atonement or Yom Kippur, while Muslims fast between dawn and dusk during the month of Ramadan. In the Christian tradition, fasting was once a common discipline, continuing from the early church up to the Reformation. During the Middle Ages, it became associated with excessive ascetic practices involving rigid regulations and extreme self-mortification and thus fell into disfavor. In recent years, fasting has attracted renewed interest.

Moses, David, Zoroaster, Kongfuzi (Confucius), Plato, Socrates, Aristotle, and Buddha all fasted for spiritual reasons. Like Elijah, who was fasting when he heard a still small voice, we are more open to the Spirit when we fast. And like Jesus, who was fasting when he was tested in the wilderness, we realize depths of faith and personal powers when we fast.

Why fast?

Fasting reveals things that control us. We often cover up what is inside us with food. When we fast, these things surface. While fasting we may feel the sorrow, anger, regret, or pride we have been hiding from ourselves.

Fasting is a way to bring awareness to what we do. Many of us eat for emotional comfort. It becomes an automatic impulse.

Fasting helps us pay attention, and when we do, our relationship to things changes. We see more and see more deeply. We are present to the moment.

Fasting helps us return to a balance in our lives. How easily we let the nonessential take precedence. How quickly we crave things we do not need.

Fasting is a time to write in a journal, pray, meditate, walk. These are all ways of being receptive to grace.

When fasting, it is helpful to keep daily concerns and distractions to a minimum. I do not watch television when I fast. Instead of relying on stimuli from the outside, it’s best to try living with yourself. Let yourself be directed from within.

When fasting, do whatever does your body good. If you are tired, sleep. If you like physical activity, exercise. Do things that please you: read, dance, or listen to music.

When you fast, it is helpful to reflect each day. Ask yourself:
  • What was hardest about today’s fast? What was easiest?
  • What surprised me about fasting today?
  • In what ways did I become aware of the deeper hunger of my soul today?
  • What were the inner demons I encountered today on this fast?
  • What special grace did I experience today?
You may give your fast a focus. Some people are mindful that two-thirds of the world go hungry every day. They fast as an act of concern and identification. The money saved from this experience goes toward hunger. I know of one person who was so struck by an insight into himself during a therapy session that he spontaneously observed a twenty-four-hour fast to help him remember and deepen that insight.

Beginning and ending a fast is important. Gathering with others to observe a fast’s initiation and again to break the fast can be helpful. In one breaking-fast ritual I have participated in, we each brought a reading, a poem, or a passage that spoke to us during the fast. We also brought a piece of fruit. Silently, one by one, we approached the table and prepared our piece of fruit, placing the pieces on china plates, one for each person. One of us would slowly cut a banana and distribute slices to the plates. Another person would peel and divide the sections of an orange, and so on.

When we all had gone forward in silence and prepared our fruit, we were left with a plate for each of us with an array of fruit. It was a wondrous offering of food. Slowly, mindfully, and with great intention, we broke the fast by tasting the fruit before us. And always after the silence of our meditation, there was laughter as we ate together. It was good.

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For list of all weekly practices: "Practices of the Week Index"


2017-06-01

CUUC Music: Sun June 4


Church music through the ages is represented in Sunday morning’s Prelude by the juxtaposition of J.S. Bach’s Chorale “Jesu, Joy of Our Desiring” with “A Simple Song” from  Leonard Bernstein’s Mass, written for the opening of the Kennedy Center. Elsewhere, the Affirmation of our Third Grade Class is marked by a duet performed by Tycho and Christian Force as well as excerpts from Robert Schumann’s Scenes of Childhood. The CUUC Choir is also on hand with a celebrated number by the Beatles as well as a medley of beloved African-American Spirituals. Read on for programming details.

Prelude: Lisa Meyer, soprano; Adam Kent, piano
Jesu, Joy of Our Desiring
                                    J. S. Bach, arr. by Harold Bauer
A Simple Song from Mass
                                    Leonard Bernstein

Special Music: Tycho and Christian Force, duo piano
The Juggler
                                                Mauro Giuliniani

Anthem: CUUC Choir directed by Lisa N. Meyer and accompanied by Georgianna Pappas
Blackbird     
John Lennon and Paul McCartney, arr. by Audrey Snyder     

Offertory:
From Scenes of Childhood, Op. 15
1.     Of Foreign Lands and Peoples
5. Important Event

Anthem:
Song of Freedom   
Traditional Spirituals, arr. by Victor C. Johnson  

2017-05-24

Find Your Calling

Practice of the Week
Find Your Calling

Category: Occasional. These are practices suggested for "every once in a while." Some of them are responses to a particular need that may arise; others are simply enriching occasional enhancements to the spiritual life. All of them are worth a try at least once. And any of them might become a regular and central part of your spiritual practice.
"The kind of work God usually calls you to is the kind of work (a) that you need to do and (b) that the world needs to have done. If you really get a kick out of your work, you've presumably met requirement (a), but if your work is writing cigarette ads, the chances are you've missed requirement (b). On the other hand, if your work is being a doctor in a leper colony, you have probably met requirement (b), but if most of the time you're bored and depressed by it, the chances are you have not only bypassed (a), but probably aren't helping your patients much either. Neither the hair shirt nor the soft berth will do. The place God calls you to is the place where your deep gladness and the world's deep hunger meet." (Frederick Buechner)
What is your calling?
Is a new calling trying to be heard?
Try the "Billion-Dollar List" test!


Imagine you suddenly won or inherited a billion dollars. What would you do? Maybe you'd throw a big party, take your dream vacation, buy a nice house. Then what?

Retire? You might think you'd want to retire, but most billionaires continue to passionately pursue their work. In fact, the one thing rich people tend to have in common is that they love their work. By imagining what you'd do with a billion dollars, it's possible to gain a better idea of what you yearn to do in the world, the important work that you are called to offer the world.

When you become clear about what you really love to do and what you consider to be important work, you become more focused and capable. Twenty-five years ago, I was living in a 1967 Dodge van, making $400 a month. It seemed unlikely I would ever have a bestselling book and speak to millions of people a year. Yet, by consistently pursuing what I love, it happened. Even if I didn't make much money or have much success in my field, I would still be enjoying what I do. I love teaching and writing. I'd definitely do it for free. Had I made the mistake of pursuing a different line of work just to make a lot of money, I'd probably be miserable. Many people make the error of putting their desire for money before their desire for meaningful work. Usually they end up paying a big price. Yet by figuring out what you'd do with a billion dollars, you can easily learn and start to pursue your true passions in life.

A billion dollars is one thousand million bucks. That's a lot of money. Would you want to help end starvation? Would you go into politics? Would you become a writer, inventor, or musician? What line of work seems like it's so fun or so important that you'd gladly do it for free? Take a few minutes now and write down a few answers to that question.

When I first looked over my billion dollar list, I became a bit depressed. After all, I wasn't doing any of the things I had written down. I had never done any writing, never been on TV and was afraid of public speaking. Yet I figured I'd start in small ways. I began by teaching a personal growth class to a few friends for free. I started writing things down just for my own benefit. As time passed, I got better at what I did. Before I knew it, people were paying for my workshops, publishers were buying my books, and TV producers were calling me to be on their shows. Since I really loved what I was doing, it was easy to be dedicated to it, even during times when I wasn't having much success.

Once you've written down what you'd do with a billion dollars, begin in small ways to incorporate some of those activities into your life. For example, if with a billion dollars you decided that you'd work to end the abuse of animals, then why not start to work in that area now? You don't need to quit your job to do that. You can begin by writing letters to your congressman, joining an animal rights group, or volunteering at an animal shelter. I know many people who started doing such things after they wrote out their Billion-Dollar List, and later found themselves in a paying job working for the cause for which they had previously volunteered.

The Billion-Dollar List helps you to think in a new, expanded manner. As you wrok in ways that are in line with your values and passion, you'll feel a sense of inner fulfillment. Many people report that initially making less money at a job is a small price to pay for work that is truly rewarding. Once you've made your list, you'll have a clearer sense of the direction you ultimately want to go in life.

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For list of all weekly practices: "Practices of the Week Index"

CUUC Music: Sun May 28


Music about love is featured this Sunday morning at CUUC, in recognition of the renewed wedding vows of Janet Press and Bob Indra. As a special treat, Janet’s granddaughter Isabella sings “A Whole New World” from Aladdin as part of the ceremony. Unitarian composer Edvard Grieg’s “Wedding Day at Troldhaugen” was written as a 25th anniversary gift to the composer’s wife, evoking a Norwegian country wedding procession. Writing about “The Maiden and the Nightingale” Spanish composer Enrique Granados counseled interpreters to think more about the jealousy of a wife than the sadness of a widow. Felix Mendelssohn’s Song without Words known as “Duet” and Isaac Albéniz’s celebrated Tango in D both depict a couple’s intertwining voices. Read on for programming details.

Prelude: Adam Kent, piano
Quejas, ó La maja y el ruiseñor from Goyescas (Laments, or The Maiden and the Nightingale)
                                    Enrique Granados
Wedding Day at Troldhaugen, Op. 65, No. 6
                                    Edvard Grieg

Opening Music:
Tango in D
                                                            Isaac Albéniz

Offertory:
Song without Words in Ab Major, Op. 38, No. 6 “Duet”
                                    Felix Mendelssohn

Interlude: Isabella Okelberry, soprano
A Whole New World (Aladdin’s Theme from Walt Disney’s Aladdin)
                        Alan Menkin/Tim Rice

2017-05-17

Music: Sun May 21


“What does the May monthly theme of ‘Joy’ have to do with ‘White Supremacy?’” you ask?

The joys of music, creativity, and self-expression can be an antidote to discrimination, as the CUUC Choir’s performances of “Shenandoah” and the Beatles’ hit “Good Day Sunshine” will suggest this Sunday morning. Solo piano selections include works by composers of African descent from the traditions of Ragtime and Spirituals, musical forms which gave hope and solace in times of oppression. Read on for programming details.

Prelude: Adam Kent, piano
Sometimes I Feel Like a Motherless Child             
                                                Traditional Spiritual, arr. by Samuel Coleridge-Taylor
Elite Syncopations
Maple Leaf Rag
                                                Scott Joplin

Anthem: CUUC Choir directed by Lisa N. Meyer and accompanied by Georgianna Pappas
Shenandoah     
American Folk Song, arr. by Brad Printz
Offertory:
Didn’t My Lord Deliver Daniel?
                                                Traditional Spiritual, arr. by Samuel Coleridge-Taylor

Anthem:
Good Day Sunshine     
John Lennon and Paul McCartney, arr. by Kirby Shaw


2017-05-10

Art

Practice of the Week
Art

Category: Might Be Your Thing (This practice is not for everyone -- but may be just the thing for you!)
“The purpose of art is to lay bare the questions that have been concealed by the answers." --James Baldwin
Adapted from Julie-Ann Silberman, "Art," in Everyday Spiritual Practice

Artwork is my daily spiritual practice. My goal is not to create masterpieces, but to get more closely in touch with my interior spiritual life. In my life, I use words a lot, I read a lot, and I think a lot. I need a spiritual practice that will take me away from those things and get me in touch with what is happening at the core of my being.

I was a painter and an art major in college, but then my focus changed, and I left that behind. When my father died, I was sad and lonely and wanted to express the feelings raging inside me. I could feel an aching in my arms and heart. I could see images in my head, but I wasn’t letting them out. I needed a vehicle for the day in and day out process of grieving. So, I returned to the tried and true longing of my body. I went into my basement and dug up some old pastels and oil paints.

Buying new art supplies is part of the spirituality of art and one of the first steps to take in making artwork a spiritual practice. Buy supplies that excite you and that will work as a vehicle for your self-expression. The next step is to put your supplies out in a place where you spend a lot of time! If you spend time at your kitchen table, put the art supplies there. If you spend time in front of the TV, put them there. Initially, you are more likely to be able to tap into the creative aspects of your everyday spirituality if you try to create in the places where you usually spend time. Eventually you may want a special place for creating, but in the early stages of developing your spiritual discipline of creation, it is important that your practice be a part of your daily existence.

Spirituality is not about separating myself from my life. It is about getting more deeply in touch with the sacred in my daily living. Human life is sacred; therefore, what we do and how we fill our lives is sacred. So when you are doing your ordinary things, tap into the sacred. Listen to your soul. Use that to make your art.

Don't try initially to create representational art; rather, try to use color to express your feelings. Often I begin by closing my eyes. Usually in that darkness I see colors, and I begin with what my inner eye has selected. As I continue to work, I will frequently close my eyes and explore the image in my mind's eye, how it changes and develops. It is easier to change things in your head than it is on the paper or canvas. Perceiving images guided by inner awareness is important to understanding creation as a spiritual discipline.

Art as a spiritual discipline is the chosen need to find center. Finding center in an emotional sense is vital to the quality, depth, and meaning of your work, whatever the medium.

One of the pitfalls of art as a spiritual discipline is that others often expect us to display our work or to share it with them in one way or another. Creations that come out of an inner listening are intensely personal. They are every bit as difficult to share as journal entries, personal prayers, or the content of meditation. The advantage of those other disciplines is that very few people expect them to be shared in a public way. To keep your artwork for yourself takes some strength.

There may also come a time when you are ready to share your creations, and this too presents questions. Choosing to share your creations requires you to be comfortable with the work and its place in your life, so comfortable that the responses of others do not change the meaning or the place of the work in your own life and practice. When you are at this point, then you can decide how and with whom to share your work. We must remember that creativity is about the process, not the outcome, especially when it is being used as a spiritual discipline. Creativity is about the experience, the identifying and releasing of feelings and core responses to the world around us.

I have found artwork to be a very powerful spiritual discipline, one that has allowed me to reconnect with parts of myself that I had long negated and devalued. Having integrated artwork back into my life, I feel a sense of wholeness that I had lost. I have also chosen to share my work through a public showing and found it to be a powerful affirmation of the balance in my life. That balance was brought about in large measure for me through the spiritual practice of creativity.

No matter what media or methods you explore, or how you choose to share your art with others, personal authenticity is the most important aspect of art as a spiritual practice. Listen to yourself. There are no limits. Use what you have, experiment, and eventually find what you like. This spiritual practice is based on tangible, tactile responses. If you do not feel in touch with the medium, if it in any way holds you back from self-expression, get rid of it and try something new. If you don't like painting on canvas, try painting on rocks. If pastels on paper don't work for you, see if crayons on fabric do.

The most important things are to find yourself and to let it out. Pay attention to your dreams and the inner workings of your mind and even to the colors you see. The more you pay attention to what you see and how you respond to it, the more material you will have for your creative endeavors. Artistic expression is from the soul, and no one else knows what yours contains, so let it out in your own way.

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For list of all weekly practices: "Practices of the Week"