2015-11-11

CUUC Music: Sun Nov 15

Music and words predominate this Sunday at CUUC. Soprano Kim Force sings two haunting settings of Emily Dickinson’s poetry by Aaron Copland. Music Director Adam Kent also plays several of Felix Mendelssohn’s Songs without Words, pieces which seem to ask whether music itself can convey meaning even without language. Consider attending the service this Sunday for more of Adam’s thoughts on music, language, harmony, and humanity, when he delivers the sermon. Read on for programming details.

Prelude: Adam Kent, piano
Songs without Words
Op. 67, No. 5 in b minor
Op. 53, No. 2 in Eb Major
Op. 19, No. 1 in E Major
Felix Mendelssohn

Opening Music: Kim Force, soprano
“Heart, We Will Forget Him”
Aaron Copland (Poetry by Emily Dickinson)

Offertory:
Songs without Words
Op. 102, No. 3 in C Major
Op. 67, No. 3 in Bb Major
Mendelssohn

Interlude:
“Because I Would Not Stop For Death”
Copland/Dickinson

2015-11-05

Find Beauty

Practice of the Week
Find Beauty
"A thing of beauty is a joy forever: its loveliness increases; it will never pass into nothingness." (John Keats)

Beauty is that which delights the senses -- including the "sixth sense" of the mind.

Different people find beauty in different forms and places. You don't have to go to a museum, listen to a symphony, or eat a gourmet meal to be in the presence of beauty.

For example, here are some of the (maybe strange) things I find beautiful: A clump of grass in a sidewalk crack. The horn of a train as it moves away. The smell of cinnamon. The curve of highway cloverleafs. Kitchen knives. The faces of nurses. Courage. Falling water. A glazed donut. The touch of cashmere. Foam. Frisbees. Snakes. Geometrical proofs. Worn pennies. The feeling of catching a football.

What are some things that are beautiful to you?

There's so much beauty all around us. But I think that for many people, there is little sense of this. That was certainly true for me before I started deliberately looking for beauty. And then we wonder why life doesn't seem very delightful!

What do you feel when you encounter beauty, including in its everyday forms? Perhaps your heart opens, something eases in the mind, there's pleasure, and your spirits lift. The experience of beauty relieves stress, nourishes hope, and reminds us that there's much more to life than grinding through tasks. The sense of beauty can also be shared -- have you ever admired a sunset with a friend? -- bringing you closer to others.

How

Take a few moments each day to open to beauty. Really look at the things around you -- particularly at the ordinary things we tend to tune out, such as the sky, appliances, grass, cars, weeds, familiar views, bookshelves, or sidewalks. Try the same with everyday sounds, smells, tastes, and touches. Also seek out lovely memories, feelings, or ideas.

Hunt for beauty like a child looking for seashells on a bountiful beach. Be open to things outside the frame of "nice" or "pretty." Let yourself be surprised. Find beauty in unexpected places.

When you find beauty, feel it. Open to a growing sense of boundless beauty above and below and stretching in all directions, like you're floating in a sea of rose petals. Recognize the beauty in others, in their character, choices, sacrifices, aspirations. Understand the beauty in noble failures, quiet determination, leaps of insight, and joy at the good fortune of others. Hear the beauty of a parents voice soothing a child, of friends laughing, of the click and clack of a teacher's chalk on the blackboard. See the beauty in the face of someone at the very beginning of this life, and see it in the face of someone at the very end.

Recognize the beauty in your own heart. Don't duck this one: as others are beautiful, so are you

Make beauty with your hands, your words, and your actions.

Even the breath is beautiful. Breathing in beauty, let beauty breathe you.

For Journaling

Every day for a week, describe what you encountered that was beautiful that day.

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2015-11-03

CUUC music: Sun Nov 8


Franz Schubert’s music complements November’s theme of Hospitality by virtue of the performance environment for which it was conceived. Schubert’s piano works were not destined for the public stage, but for intimate gatherings of the composer’s artistic friends known as Schubertiades. The Six “Moments Musicaux” and the two collections of Impromptus all date from Schubert’s final year. Read on for programming details.
Prelude: Adam Kent, piano
Impromptu in c minor, Op. 90, No. 1
                                                Franz Schubert

Opening Music:
Moment Musical in f minor, Op. 94, No. 3
                                                Schubert
Offertory:
Moment Musical in Ab Major, Op. 94, No. 2
                                                Schubert

Interlude:
Moment Musical in C Major, Op. 94, No. 1
                                    Schubert

2015-11-01

CUUC Bird Walk Report: Sun Nov 1

Bird Report November 1, 2015

Today is All Saints Day, and to accompany the theme of the service this morning, we highlighted death.   The opening reading was:
All the birds of the air
fell a-sighing and a-sobbing,
when they heaed the bell toll
for poor Cock Robin

This comes from the nursery rhyme, "Who Killed cock Robin." One meaning of this poem identifies that "Cock Robin" is a metaphor for spring, and that extended winter weather is upon us.  That certainly is not the case this fall, although last Sunday when I came out of the Sanctuary it was snowing!  Today though was mild with raining orange and red marvels carpeting our walk around the CUUC grounds.

Though we pondered death today, based on the numbers and kinds of birds we saw, the better question was, "Who invited Cock Robin?"  There were at least 68 of them, and probably more but we didn't want to double count any individuals.  The ground were thick with them as they were enjoying the cherries, crab apples, and hack berries that they can find here. 

Another important question that is for all of us here at CUUC, "Who is killing the birds we find dead around the building?" The answer is, our building is.  Over the last two years I have found several dead birds that have died upon impact on our windows and just in the last month, 2 injured birds were seen - one hit the front window by the door, and another the sanctuary window near the piano. We are not alone in having wonderful windows with a view, for scientists estimate that up to 1 billion birds die a year hitting windows in the USA.

Several concerned individuals, including the 4th/5th and 6th/7th grade Religious Education classes, desire to reduce the harm caused to birds on our grounds.  Several of us met with the Building and Grounds Committee today to discuss the "bird plan," which will probably involve testing various kinds of visual barriers on our windows. You may have noticed some very experimental films placed on some of the sanctuary windows as we test what might work best for our community.  These films have also been placed on all the lower Parsonage windows, as birds have been hitting there rather frequently.  Stay tuned for further developments, and if you have any ideas or suggestions, do not hesitate to contact me.

Our next bird walk on the grounds is November 15th, Sunday, at 8:30 a.m. beginning at the Parsonage. There will also be a Bird Retreat on Saturday, November 22, from 9:30 a.m. - 12:30 p.m., and then a bird walk at Tarrytown lakes Sunday,  November 23, from 8:00 a.m. - 9:30 a.m.

For more information, or to report bird sightings on the grounds, please do contact me:

In hope for all life,

Rev. LoraKim Joyner
amoloros@gmail.com

Here's the species list for the day, including a new one for the property - a Northern Harrier. In total we had 104 individuals of 11 avian species, 3 rodent species, and one ape species.

1 Mourning dove
68 American robins
15 Cedar waxwings
4 Black-capped chickadee
1 White-breasted nuthatch
3 Blue jays
2 crows
1 Northern harrier
2 Red-bellied woodpeckers
2 Downy woodpeckers
5 White-throated sparrows
2 Gray squirrels
1 Chipmunks
2 Red squirrels

2 humans

2015-10-29

CUUC Music: Sun Nov 1


November’s Theme of Hospitality is illustrated by music written with a domestic purpose in mind. Johanna Sebastian Bach wrote his monumental “Goldberg Variations” to entertain the Russian ambassador to the Saxony court during his many bouts of insomnia. Johann Gottlieb Goldberg was the ambassador’s private harpsichordist, who would have played these pieces to relieve the ambassador’s tedium. CUUC’s Choir is also hand with two contrasting selections, ranging from introspective intimacy to celebratory joy. Read on for programming details.
Prelude: Georgianna Pappas, piano
Goldberg Variations, BWV 988
            Aria—Variations 1 and 29
                                                J. S. Bach

Anthem: CUUC Choir directed by Lisa N. Meyer and accompanied by Georgianna Pappas
Think On Me  
 Alicia Ann Scott

Offertory:
Goldberg Variations, BWV 988
            Variation 13
                                                                        Bach

Anthem:
Clap Your Hands and Sing  
 Mary Lynn Lightfoot

2015-10-28

Take Down a "Keep Out" Sign

Practice of the Week
Take Down a "Keep Out" Sign

Which of your “Keep Out!” signs need to come down?

What is currently on the “outside” of your life but needs to be welcomed in? What have you been avoiding or holding at bay that now needs attention? Or care? Or confrontation?

Maybe your “Keep Out” sign isn’t about avoidance, but difference. Maybe your task is to invite “otherness” or “the stranger” into your life. Maybe it’s not a big thing; maybe what you need to welcome in is not some deep existential quest, but something simpler, some small thing of beauty or rest or fun — a small thing that is not really small at all.

“Letting in” is a grace – it brings a gift we didn’t expect, earn, or deserve. This week's practice is to witness to the gift that comes when we dare to live “hospitable lives.”

Identify a gift you received from letting in, and select an object symbolic of that gift. OR: If you have identified the “Keep Out” sign that needs to come down, but have not yet made your way to actually taking it down, select a symbol of the grace/gift you hope to encounter once you’ve welcomed in what you need to.

With the object sitting next to you, write in your journal:

1. Describe what was let in.
2. Describe the gift that came to you as a result.
3. Describe the symbolic item you selected and explain why you chose it as a symbol of the gift you received.

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Previous Practice of the Week: "Have Faith"
For list of all weekly practices: "Practices of the Week Index"

2015-10-22

Have Faith

Practice of the Week
Have Faith

Try a little experiment:
  • In your mind or out loud, complete this sentence a few times: "I have faith in __________." 
  • Then complete another sentence a few times: "I have no faith in __________."
What do faith -- and no faith -- feel like?

In your experience of faith, there's probably a sense of trusting in something -- which makes sense since the word comes from the Latin root, "to trust." ("Faith" can also mean a religion, but my meaning here is more general.) Faith feels good. To have confidence is to have faith; "con+fide" means "with+faith."

Faith comes from direct experience, reason, trusted sources, and sometimes from something that just feels deeply right and that's all you can say about it. You could have faith in both biological evolution and heaven. Sometimes faith seems obvious, like expecting water to yield each time you prepare to dive in; other times, faith is more of a conscious choice -- an act of faith -- such as choosing to believe that your child will be all right as he or she leaves home for college.

What do you have faith in -- out there in the world or inside yourself?

For example, I have faith in the sun coming up tomorrow, my partner while rock climbing, science and scholarship, the kindness of strangers, the deliciousness of peaches, the love of my wife, God, and the desire of most people to live in peace. And faith in my determination, coffee-making skills, and generally good intentions.

In your brain, faith (broadly defined to include assumptions and expectations) is an efficient way to conserve neural resources by not figuring things out each time from scratch. The visceral sense of conviction in faith integrates prefrontal logic, limbic emotion, and brainstem arousal.

Without faith in the world and in yourself, life feels shaky and scary. Faith grounds you in what's reliable and supportive; it's the antidote to doubt and fear. It strengthens you and supports you in weathering hard times. It helps you stay on your chosen paths, with confidence they will lead to good places. Faith fuels the hope and optimism that encourage the actions that lead to the results that confirm your faith, in a lovely positive cycle. Faith lifts your eyes to the far horizons, toward what's sacred, even Divine.

How

Sure, some skepticism is good. But going overboard with it leads to an endless loop of mistrusting the world and doubting yourself. You need to have faith that you'll make good choices about where to have faith! Which means avoiding two pitfalls:
  • Putting too much trust in the wrong places, such as in people who won't come through for you, in a business or job that's unlikely to turn out well, in dogmas and prejudices, or in a habit of mind that harms you -- like a guardedness with others that may have worked okay when you were young but is now like walking around in a suit of armor that's three sizes too small.
  • Putting too little trust in the right places, such as in the willingness of most people to hear what you really have to say, in the results that will come if you keep plugging away, or in the goodness inside your own heart.

Journaling

First, in your journal, make a list of what you do have faith in -- both in the world and in yourself.

Next, ask yourself where your faith might be misplaced -- in dry wells or in dogs that won't hunt. Be sure to consider too much faith in certain aspects of your own mind, such as in beliefs that you are weak or tainted, that others don't care about you, or that somehow you're going to get different results by doing pretty much the same old things.

Then pick one instance of misguided faith, and write about it. How did you develop that faith? What has it cost you? What would be the benefits of a life without it? With what resource can you replace it? How are you going to consciously step away from it?

Repeat this for other cases of misplaced faith.

Second, make another list in your journal. This time, list what you could reasonably have faith in -- in the world and in yourself. These are missed opportunities for confidence -- such as in people who could be trusted more (including children), in the basic safety of most days for most people, and in your own strengths and virtues.

Then pick one and see if you can have more faith in it. Write down some good reasons for relying upon it. Imagine how more trust in it will help you and others. Consciously choose to believe in it.

Third, consider some of the good qualities and aspirations in your innermost heart. Give yourself over to them for a moment -- or longer. What's that like?

Try to have more faith in the best parts of yourself. They've always been faithful to you.

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