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It wouldn’t be Valentine’s Day in the world of classical music without a nod to Robert and Clara Schumann, the passionate musical couple whose love inspired some of the greatest piano music of the 19th century. Writing to Clara of his Kreisleriana, Op. 16, Robert had this to say: “Iʼm overflowing with music and beautiful melodies now – imagine, since my last letter I've finished another whole notebook of new pieces. I intend to call it Kreisleriana. You and one of your ideas play the main role in it, and I want to dedicate it to you – yes, to you and nobody else – and then you will smile so sweetly when you discover yourself in it.”
That he dedicated Kreisleriana to Frederic Chopin may have been a matter of professional expediency...
This morning’s Musical Meditation takes the form of a wedding gift from the Catalan composer Xavier Montsalvatge to the favorite pianist of my childhood, Alicia de Larrocha. The title Divagación was intended as a caution to Alicia not to stray too far from her path as a pianist as a married woman.
Elsewhere, the CUUC Choir Quartet brings us a virtual performance of “’Tis You That Are the Music.” Read on for programming details, and stay tuned for spoken introductions.
Gathering Music: Adam Kent, piano
Kreisleriana, Op. 16
1. Ausserst bewegt
2. Sehr innig und nicht zu rasch
Robert
Schumann
Anthem: CUUC Choir Quartet, directed by Lisa N. Meyer and accompanied by Georgianna Pappas
“ʼTis You That Are The Music”
Cynthia Gray
Musical Meditation:
Divagación
Xavier Montsalvatge
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The seed of awareness of inherent belonging wants to sprout and grow and send forth new seeds of joy to plant in other hearts.Covid Watch
If you have ever found comfort and sanctuary, ease and acceptance here, then go ahead and bask in that for as long as you can – because you won’t be able to simply bask in it for too terribly long. It is the nature of this blessing that it will not leave you alone.
And if it seems to you that the ease and sanctuary of this place doesn’t feel quite like it used to for you, then you’re ready – ready for that next step. The way to feel more welcome and accepted and warmly received is to be welcoming, accepting, and warmly receiving. That means making our congregation a place more welcoming of people who have sometimes felt unwelcome. That also means the work of social justice – making the world a place of greater acceptance and celebration of diversity.
When we talk about injustice and oppression, it isn’t to make you feel bad. It’s to help you feel good, by lifting up the wonderful meaningful work there is for us to do together. If you need comforting, be a part of offering comfort to others – and justice to all. That’ll do it.
This morning’s musical selections are connected to African and African Diasporic traditions. The composers either hail from African nations, occupied themselves with African idioms, or embraced African-American musical styles. Their names—and the names of the heritage they celebrated—are too rarely spoken. Read on for programming details, and stay tuned for introductions to each work during worship.
Centering Music: Adam Kent, piano
“Maribye Ma Nonoha Ngopfu” (These Stones Are Very Hard)
South East African, arr. by Samuel Coleridge-Taylor
Opening Music:
“Dancing Barefoot in the Rain” from African Sketches
Nkeiru Okoye
Musical Meditation:
“Poor Mourner’s Got a Home”
Wallace M. Cheatham
Interlude:
“The Angels Changed My Name”
African-American Spiritual, arr. by Coleridge-Taylor
Parting Music:
“The Monk” from Portraits in Jazz
Valerie Capers
The path of creation is joyful. Instead of dwelling on and being paralyzed by all the negativity of the world, we decide to create the type of world in which we want to live. This is a sacred place, where we walk on holy ground with every step and form deep and lasting relationships and communities where diversity is honored and uniqueness is respected, and where the Earth itself is healed and restored.Probably many of us shake our heads at the impossibility of it all, and understandably so. All of us at some point have felt some despair at the state of things. It’s true that there are great forces at work, but just how they will affect us remains to be seen.
“When I would recreate myself, I seek the darkest wood, the thickest and most interminable, and to the citizen, most dismal swamp. I enter the swamp as a sacred place – a sanctum sanctorum. There is the strength, the marrow of nature.”This is the kind of strength that will sustain us through the necessary losses and changes to come.